#N canvas 53 202 692 555 12;
#X obj 37 449 catch~ sum;
#X obj 349 274 s frequency;
#X obj 463 274 s duration;
#X floatatom 463 224 0 0 0 0 - - -;
#X obj 463 249 * 100;
#X obj 349 249 mtof;
#X floatatom 349 224 0 0 0 0 - - -;
#X text 82 7 ADDITIVE SYNTHESIS;
#X text 501 214 duration in tenths;
#X text 503 230 of a second;
#X text 387 223 pitch;
#X text 433 518 updated for Pd version 0.37;
#X obj 37 488 output~;
#X text 26 83 Partial takes as arguments an amplitude \, a relative
frequency \, a detuning frequency \, and a relative duration. You set
absolute duration and pitch using the controls below. Hit the trigger
to make sound.;
#X text 27 31 This patch demonstrates using an abstraction \, "partial"
\, to make a simple additive synthesis instrument originally from Jean-Claude
Risset.;
#X obj 349 169 loadbang;
#X obj 352 322 bng 25 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
-1;
#X text 385 324 <-- click to play a note;
#X obj 352 358 s trigger;
#X obj 36 149 partial 1 1 1 0;
#X obj 36 174 partial 1 2 2 0;
#X obj 36 199 partial 1 3 3 0;
#X obj 36 224 partial 1 4 4 0;
#X obj 36 249 partial 1 5 5 0;
#X obj 36 275 partial 1 6 6 0;
#X obj 36 299 partial 1 7 7 0;
#X obj 36 324 partial 1 8 8 0;
#X obj 36 350 partial 1 9 9 0;
#X obj 36 374 partial 1 10 10 0;
#X obj 36 399 partial 1 11 11 0;
#X obj 36 423 partial 1 12 12 0;
#X msg 463 194 10;
#X msg 350 192 68;
#X connect 0 0 12 0;
#X connect 0 0 12 1;
#X connect 3 0 4 0;
#X connect 4 0 2 0;
#X connect 5 0 1 0;
#X connect 6 0 5 0;
#X connect 15 0 32 0;
#X connect 15 0 31 0;
#X connect 16 0 18 0;
#X connect 31 0 3 0;
#X connect 32 0 6 0;